Go Big or Go Home
Getting Viewers Off the Couch
Have you ever been told that your script is not “big” enough or that it read like an episode of a television program? I have. And I read scripts currently that feel that way to me too. Now that I’ve been on both sides of the fence, I have gained an incredible education. What does “not big enough” mean?
It means your story does not have enough excitement, set pieces and memorable characters to really justify being on the big screen. It means your story is okay or good enough but it just doesn’t feel like a major motion picture. It’s heartbreaking to tell that to a writer and it’s heartbreaking to hear. I recently read a crime thriller that was very adept and fairly entertaining. But it definitely felt like an episode of CSI. Serviceable but not get a sitter, pay for parking, buy two tickets and dinner exciting.
And that’s what executives are looking for – scripts that have big, exciting set pieces, really scary moments, fantastic twists, inventive writing or huge belly-laughs. If you keep hearing that your script doesn’t feel “big enough,” go back and look at your premise, first of all. Is it really that unique? Or does it fall under the pretty-good category? Would the story attract an A-list actor who could just as soon stay on their private island for another three months? Would it persuade your stodgy brother-in-law to put down his Coors, leave Major League Baseball alone for the night, get in the car and drive to see a movie? More and more these days, even yours truly gives serious consideration as to whether or not to head out to the movie theater. Tickets are expensive. Lines are long. Parking is a bummer. Concessions are pricey. Why go to the theater when I can go to my local video store, rent a movie or watch tv in the comfort of my own home?
And that’s what we’re up against, guys – television programming and DVD rentals. Television has taken a huge bite out of the box office. There is fantastic writing in the world of television and wonderful original movies on Showtime and HBO. Why should a moviegoer leave the house to go see your movie?
You have to see it on the big screen. Have you ever said that to someone? Well – that’s what you want your script to read like – wow – this is going to be GREAT on the big screen. This isn’t just a heist story or a romantic coming-of-age – this is a MOVIE.
Silver
About Julie
Julie,
I heard some pitches lately. And I tell them. Not cinematic enough. I told them to read books on film directors and/or screenwriters who shook cinema by being cinematic.
Think -
QUENTIN TARANTINO
MARTIN SCORSESE
JOEL AND ETHAN COEN
DAVID LYNCH
And yes, all of them are screenwriters (and directors!)
Yep – I felt that way watching “Mao’s Last Dancer”. Nice story, very moving, but not worth $15 to see it on the big screen. I wish I waited and watch it on DVD for $5. Call me tight, but no one else is going to pay my mortgage.
Great article. A friend of mine once remarked his dislike for the first “Star Trek: Next Generation” movie: “Generations.” He said that besides just being a crappy movie, it simply felt like an overly long, and very bad episode of ST: TNG.
Trek was redeemed with the next movie, “First Contact,” which really did ramp up everything and felt like a movie, and not just like a souped up episode.
Television is “where it’s at” right now for quality entertainment. Movies this year (so far) have been an utter cess pool of crap.
Even basic cable shows like “Psych,” “Monk,” and “Burn Notice” have been consistently better written, and more entertaining than most movie fare of late.
Some of the other cable shows like “Sons of Anarchy,” “Dexter,” “Breaking Bad,” “Mad Men,” are consistently BETTER than most movies today.
Funniest thing I’ve seen this year was “Peep Show” Season 6 from England. The party episode alone was funnier (by far) than any theatrical comedy released this year.
Hey Anthony Peterson,
But , house , mortgage?
Most writers like to rent bachelor apartment?
Some upcoming screenwriters get by with $12,000,00 per year.
And their rent is 200 per month and the eat vegies and watch all their movies on Youtube.
Why did you get house.
As a screenwriter, isn’t getting married, giving birth and by a house prohibitive.